An immense and complicated web of relationships links us everyday to
technologies of every imaginable sort. As one consequence of this
interdependence, our technologies increasingly take on human
attributes like intelligence and autonomy. This uncanny state of
affairs, both intriguing and alienating, is the backdrop for the
visual ideas I have been exploring.

My work shows a network of components that collectively exhibit an
ambiguous, evolving intelligence.  These components in the work all
function in relationship to each other, like cells in an organism. In
each piece are words reflecting an unbroken stream of consciousness,
one that is developing an internal system of meaning by exploring
linguistic structures, in particular the foundational relationship
between opposites. The evolution of this consciousness and its
material components reflects a hypothetical point at which the
inventor loses control of their invention.  The invention, like brooms
in the Sorcerer's Apprentice, has taken over.

These thematic interests dovetail with the artistic process I've
developed. My work is designed in a CAD program, and sent to a laser
cutter that cuts the CAD file out of a sheet of plexiglas. I then
paint the resulting components on the reverse side  and re-assemble
the work, mounting together several layers of plexiglas. This process
is, like the themes explored in my work, a symptom of the increasingly
strange correspondence between human and technological activity.