An immense and complicated web of relationships links us everyday to technologies of
every imaginable sort. As one consequence of this this interdependence, our technologies
increasingly take on human attributes like intelligence and autonomy. This uncanny state of
affairs, both intriguing and alienating, is the backdrop for the visual ideas I have been
exploring.

My work shows a network of components that collectively exhibit an ambiguous, evolving
intelligence.  These components in the work all function in relationship to each other, like
cells in an organism. In each piece are words reflecting an unbroken stream of
consciousness, one that is developing an internal system of meaning by exploring
linguistic structures, in particular the foundational relationship between opposites. The
evolution of this consciousness and its material components reflects a hypothetical point at
which the inventor loses control of their invention.  The invention, like brooms in the
Sorcerer's Apprentice, has taken over.

These thematic interests dovetail with the artistic process I've developed. My work is
designed in a CAD program, and sent to a laser cutter that cuts the CAD file out of a sheet
of plexiglas. I then paint the resulting components on the reverse side  and re-assemble
the work, mounting together several layers of plexiglas. This process is, like the themes
explored in my work, a symptom of the increasingly strange correspondence between
human and technological activity.